Collective psychoanalysis and cinema
next meeting will be Saturday, February 12 at 18:30 ;
17 rue Baudoin 75013 Paris
Program: Laughter Bergson presented by Julian and Jennifer Rejl Lepesqueur.
From there we will conclude in March our investigation into the springs of laughter in the structural framework of the analytic experience: how the film reveals that today, in a time before, was in the shade? In this respect, the study proposed the last time by David Mabin on laughter of the Joker in the movie titled so equivocal and not without reason: The Dark Knight ( released in 2008 and C. Nolan) was very well done: An essential step in the logic of our work. On the heroism and sacrifice in our postmodern world says, This film shows the essential, provided the press a bit to get out a good juice.
This study followed the Mene, Mene, Tekel, oupharsin Coen Brothers (see the beginning of the film The Lady Killers (2004)) which we Elisabetta Fournier maintained in early session, and resonates beautifully, it is very striking, with the familiar words of Lacan (p 336 Other Writings ): "If it appears on the wall for everyone to read, that you care about an empire down. The thing is reported in good place. But in the same breath, is attributed to the filling Almighty, so that the hole is closed at the same time that we take it back, and it does not even care that by this artifice the crash itself serves as a bulwark against a major desire, desire to sleep . "
" it can say something, but knows that no subject " is what the film by the Coen brothers, who can not but remind us , particularly in their latest film ( Serious Man released in 2010 in France) where in fact the empire of meaning in religion among others, took a big hit!
